The definition of an apostrophe as a literary device is when a speaker stops addressing one party and instead addresses a third party. This third party can be a natural person who is present or absent at the scene of the crime. It can also be an inanimate object like a dagger, or an abstract concept like death or the sun.
What is an example of an apostrophe?
For example, in English we use apostrophes when we contract “I am” to “Im”, “we have” to “weve”, “do not” to “dont” and so on. The definition of the apostrophe as a literary device, on the other hand, has evolved to mean that it is passed from one addressee to another.
What is the apostrophe and give 5 examples?
Apostrophe when a character in a work of literature speaks to a nonexistent object, idea, or person as if it were a living person. This is done for dramatic effect and to show the importance of the object or idea. Examples of apostrophes: 1. Oh, Rose, how good you smell and how radiant you are!
What is the apostrophe and its example?
The definition of an apostrophe is punctuation used to indicate possession, pluralization of abbreviations, and as an indicator of excluding letters as in a contraction. An example of using an apostrophe is adding s to the name John to describe who owns his car.
Is God an example of an apostrophe?
In dramatic works and poems written or translated into English, such an idiom is often introduced by the vocative exclamation O, which in reality cannot respond.
What is an example of an apostrophe?
Some examples of apostrophes below: I am – I: “I intend to write a book one day.” You are – you are: “You’re going to have a lot of fun with your new puppy.” She is – She is: “She’s always on time.”
What is the literary apostrophe?
As a literary device, the apostrophe refers to a speech or address to an absent person or personified object, such as a B. Yorick’s skull in Hamlet. It comes from the Greek word apostrephein, meaning “to turn away.”
What is the apostrophe as a figure of speech?
This happens when a speaker stops speaking in front of the audience (e.g. in a play) and addresses a third party, e.g. B. an opposing litigant or another person who is sometimes not on the stage. … Often the recipient is a personified abstract quality or an inanimate object.